Friday, March 31, 2023

finishing friday with a friend!

Barbara had contacted me yesterday about seeing a movie.

I knew the real reason was she wanted to be out of the house while Carolyn was finally - after 6 months - moving back to her own place.

(smile!)

So, I agreed... and what a fabulous movie!

And what a fabulous dinner at Olive Garden!

And what a wonderful young man as our waiter, willing to play along with our joking!

(smile!)

I took more than half of this Chicken & Shrimp Carbonara home, as well as two bread sticks.

Hey, if I have an appetizer...

and that was the Pasta Fagiole...

than I definitely won't finish my meal.

That's fine with me!

(smile!)

And the movie?

I'd gone to it not knowing anything at all about it.

Well, "Spinning Gold" was all about Casablanca Records!

That label didn't last very long before it was snapped up by Polygram...

but I was very familiar with its artists!

Donna Summer... Gladys Knight... The Isley Brothers... KISS... Bill Withers... just the right stuff for a dancing chica like me!

But what really made it special was this: Neil Bogart's kids are the ones who made this movie about their dad, showing him as the flawed gambler and big dreamer that he was.

Wow.

Kudos to Jeremy Jordan for an excellent performance!

And kudos to the Bogart boys for the back stories on how the spotlight finally shone in the direction of these artists!

(smile!)

molsky's journey

I'm glad I signed up to volunteer usher for this one!
I did so earlier this week, after watching the little weather song for any dips.
Today's made the third concert I've worked that was not part of my original list of five...
and is the fifth show for my volunteer hours.
How about those apples?
I must be feeling my Wheaties!!!
Just look at me beaming, shining my little light for all to see, ponytail set at ear level this time!!!
Plus, I get to flex my muscles this time -
yeah, that's gotta be a joke!
Nope!
I'm the Door Wench, making sure the VIP Lounge stays free of riffraff!
(smile!)
So, what journey did we have?
Well, right there is the magic flying carpet on which Bruce Molsky took us for a ride all over the world.
Truly!
Such a flight of fancy this noon30 was!
And all he had needed was a guitar and our imagination.
First, it was off to Sweden for a bout with an electric band of fiddlers!
Then down to Madagascar for a lovely tune someone had written for a little girl - very nice!
Whoosh, back to the States, Texas to be exact, for some "Bye Bye baby Blues"!
Then up to New York for an encounter with a guitarist who made his instrument sound like a fiddle - wow!
Okay, time to engage the rapt audience with a sing-along of "Little David" - that was fun!
After that, the songs just kept on a-coming!
A few tunes later was one I thought I recognized: "Drunkards hiccups", complete with that sound effect.
Yep, I'm sure I've been regaled by that one at an Irish bar!
Another couple of songs brought us to a song someone had written about Woody Guthrie, "Never Tire of The Road" - with a Japanese portion added for fun!
Then, Molsky shook things up with one sung sans instrument and a cappella, "Way Down The Road", about a homesick Southerner doing their patriotic duty by working on vehicles in Michigan for the WWII effort.
Wow.
He even played a classical bit for us and would have, I'm sure, been glad to continue to play for another hour had time allowed.
As it was, he'd done an hour and fifteen minutes without breaking a sweat.
Wow.
And all of that after playing two shows different styles of music and with other artists yesterday afternoon and evening.
Pretty good for a fellow just three years older than me!
I'm so glad I picked up this one!
(smile!)

ratatouille with a side of robbie robertson

Today was the final day of the Savannah Jewish Cultural Arts Festival.
I began my day with a trip to the JEA, then followed up with another this evening.
The "Food For Thought" at noon30 featured the vegetable dish I've only heard about in the little animated movie with the mouse-chef.
Yet, their new chef had it on the menu... so I put some of my entertainment dollars into an advance reservation.
Wow... such vibrant colors!
That's one pretty plate of food, I must say, with the spring green snap peas and the corn yellow polenta, and that lovely hunk of tomato-topped entree!
And just what was in that ratatouille?
Super thinly sliced squash and zucchini and carrot and eggplant, layered into a beautiful pile of alternating colors - 
truly quite delectable for the eye and for the palate!
In fact, I eschewed dessert for a second helping of this vegetarian feast and was quite stuffed when the speaker came on.
That's right, this $7 lunch included a talk, this time by Zelly Refson about the upcoming Jewish holiday of Passover
I had not planned to stay, but I'm glad I did.
I'd never heard of Shavuot, the Feast Of Weeks, meant to mark the seven-week transition of the Jews from being bound by slavery in Egypt and being bound by the laws of the Torah.
She concentrated on the difference between two Hebrew words for freedom, one of which - חוּפשָׁה, pronounced similar to hauf SHAH - means the same thing as "vacation", of all things, and refers to a lack of being bound to duties to others.
The other word for freedom - חֵרוּת, pronounced hay ROOT - refers to a freedom of self to be true to one's innate character.
Very interesting.
(smile!)
 
After that, I bid adieu to my tablemates: Steve (who had spent time on a submarine) and Linda (who gave me an anglicized spelling of "cha-root" for that freedom of self); Joanna (who said she loved my name) and Bob (who is new to statins and diabetes and mourning the loss of his favorite foods); and Harvey (who was first at the table while I was enjoying the art). 
Speaking of that, this piece especially spoke to me, due to its multimedia construction (tactile bits of jewelry on the ladies!).
I thought they were playing Scrabble, but that was not it at all.
I wonder what the game was?
I'll have to remember to ask about that the next time I attend one of these luncheons, if the piece is still displayed.
Meanwhile, I had bills to pay and files to declutter and bag after bag of recycling materials to be taken out to the bin!
I'm glad that will be picked up on Tuesday!
By the time I'd finished all of that, it was time for a quick bite and a return to the JEA.
I had hoped Barbara and Sandy might join me for this final film of the festival, but their plans had gone sideways today and they could not.
No worries!
It isn't like I don't have some familiarity with these "regulars" by this point in the month!
So, popcorn and water in hand, I sat in the front row.
I knew this documentary, "The Jews And The Blues", would be one that I would enjoy, for the sake of the music especially.
And I did!
Drew Stone, the director, reminded me a lot of Henry Rollins - especially when he turned loose singing with a Israeli metal punk band - so that was a plus.
Plus he spoke with a lot of different musicians over there, and had a travelogue portion about his time in Jerusalem, so the different points of view were well done.
Still, he didn't have quite enough blues music for me, aficionado that I am.
So, before I wrote this, I pulled out my Robbie Robertson CD - his first solo one, from 1987 - and listened to the entire album.
I mean every song, all the way through, singing along through my tears on "Broken Arrow", singing along in my raspiest voice for "Sweet Fire Of Love", singing along on a mellow vibe for "Somewhere Down The Crazy River", preaching with him on "Testify" - wow!
What a rush!
I'm so glad that movie brought this particular album to mind tonight.
I think I'll have to keep it out for a while...
(smile!)

Wednesday, March 29, 2023

and there was CAKE!!!

Not just any cake, either.

You know what I'm talkin' 'bout!!!

Yes, THAT cake...

pineapple upside-down cake...

and, even though I was almost twenty-five minutes late getting to Asbury, there were still a couple of pieces of it on the dessert table.

Most diners must have opted for the pumpkin pie -

as I almost did -

since this final Wednesday Night Supper offered a meal of Thanksgiving to us -

but my hand darted to the tropical delight with the maraschino cherry instead.

Best of all, it had been made as a single entity, no cut edges anywhere - gorgeous!

So after I ate my salad - having packaged my dinner to go - I sat right there and, in front of God and everyone, I picked up that little cake and ate every bite, pausing to savor each one, eating all around the edges first and saving the center, with its sweet maraschino cherry, as the last bite.

Perfect.

Did I care that folks were watching me as I slowly consumed that treat?

Not even the tiniest bit.

They don't know that April is coming and I need this bit of sweet for that month of so many lost loved ones: Grandma, Sam, Daddy, Mother Pat, Jean Marie.

Now, I'm home again, and it's time to eat the rest of my dinner.

Perfect.

noon30 as a lift wench!

Yes, I have a new title!
Some years back - i.e., before pandemic - I was the Gate Wench at the Ships of The Sea Museum venue.
Remember that?
Yeah, 2016 seems like forever ago to me, too.
Well, now, I'm the Lift Wench at the Metal Building!!!
There were three of us trying to figure it out, but I did, so they gladly left me to it.
As I told the riders, just listen for that solenoid to know when it's about to move and when it's done!
(smile!)
How very nice to have a noon30 show - I love those!
This one was, as I said, at the Metal Building at the Trustees Garden.
How very nice to have a jazz prequel for the show!
I missed most of the set from the Charles Ellis School students, as I was learning how to operate the lift, but I liked what I heard.
(smile!)
What a boon for them to get to perform here!
Yes, it was a bit chilly - high only in the mid-60's today, hence the lacey top under my SMF T-shirt - but I doubt the kids noticed.
(smile!)
And just who did we have on stage?
The Charles McPherson Quintet, featuring the saxophonist who helped get the music for the 1988 film, "Bird"!
He'll be 84 in July, by the way; that makes him three years younger than Daddy.
Just sayin'.
(smile!)
He was accompanied by Sean Jones (trumpet), Jeb Patton (piano), David Wong (bass), and Bill Drummond (drums... no joke!).
As this was a jazz set, you know what that means: everybody had a turn to strut their stuff and show off their chops for every song.
(smile!)
Five musicians, five songs, 60 minutes of music, total.
In and out, short and sweet!
They started with a McPherson tune, "Horizons", from 1968.
"A Tear And A Smile", a slow and reflective piece followed, then they picked up the pace quite a bit with "Dee Blues", a number he did at his 82nd birthday party last year.
For the penultimate song, he first pointed out his daughter in the audience, then spoke of the children's game, jacks, as the intro to "Jumping Jacks".
The song came out in 2008, the same year he participated in the Oral History project.
His daughter looked to maybe be in her 30's... maybe she was a teen then?
And for the last song of the set, he reached way back - back to 1938, the year before his birth - for a Ray Noble song, Cherokee.
I very much enjoyed the drum solo for that one!
Lots of work with the cymbals!
(smile!)
Now, I need to figure out how I'll change up my look for the noon30 I have on Friday.
You know me: I gotta have something different to keep it fun for me!
Like my own little inside jokes.
(smile!)
Take these pins, for instance.
For the first concert, I wore the sparkly, American Heart Association, red dress.
My hair was worn in a shoulder-height ponytail on the right side.
For the first concert at the TUMC on Sunday, I wore the little unicorn running alongside the rainbow, a pin I've had since I was in high school.
That time, my hair was pulled into a ponytail at the back of my neck.
You know, something cute in the front, something more serious in the back... like a reverse mullet.
(smile!
Then, when I went back to the TUMC for the Sunday concert, I brought out the unicorn on a field of navy (rather dressy and dating from Okinawa) and wore two ponytails, both shoulder-height.
Today, there was no pin and my hair was worn loose.
(smile!)
I wonder what I'll do for Friday?
(smile!)

Tuesday, March 28, 2023

sally searching, sequentially

... and with at least one of mi amigas!

"Whatcha sayin' there, lass?"

Sally Hawkins was in the movie yesterday and the one today!
In each case, she was searching for someone...
and, in each case, I was accompanied by at least one of my friends!

"Aye, I can see how that would be of interest to ye, as yer so fond of that name."

Not only that name, but all the characters she inhabits on the silver screen! She seems to favor roles featuring a challenge that has to be overcome in order to save another's life.

"Indeed, as she did in the one about that poor merman that had been captured."

Exactly the one I was thinking of! I do so love that movie!
But I also love the one I saw yesterday... especially as I watched it with Carolyn!
Good call!
And the NCG Cinema had "Paddington 2" for only two bucks!

"Hahahaha! Oh, yeah! That wa' so funny with the Scottish cook named Knuckles!"

And Hugh Grant cut a right merry caper throughout, didn't he?
I adore the musical number in the prison, with all the umbrellas!
Just magical!!!
And guess what?
As she and I were chatting after, Jim Reed came up!
His tour had been cut short due to rain, so he decided to treat himself to a bit of Keanu!
While there, he regaled us with his take on the Buddy Guy concert on Saturday.
I'm glad I wasn't part of the volunteer crew that night.
I already heard the man was over an hour late to the stage.
Once he got there, the 86 year old seemed to be experiencing a bit of sundowning, which manifested as an extreme blue streak in his language.
You know, Buddy Guy was born the same year as my dad.
Hard to believe Daddy has been gone 14 years.
 
"Yes, me girlie, let's come on back to the present, aye?"
 
You're absolutely right.
As Taylor Swift would say, "Shake it off, shake it off"!
(smile)
 
"Ay, there be yer smilin' face! So, tell me 'bout today."
 
Today, I was in the company of all tres de mi amigas, y una mas!
(smile!)
I had not realized Barbara had arranged such a gathering! 
She arrived with Sandy, then Carolyn came right as the movie started, and then Brenda came just a few minutes after that!
Hooray!!!
And when we were leaving, I found a bright and shiny penny from last year!
Right place, right time!
(smile!)

"And jus' what wa' this movie about?"

A woman's search for the remains of King Richard III, of all things... and it was true!!!
I don't know how I missed this story in 2012, but I had.
After seeing Shakespeare's play and tiring of the talk of Richard being evil simply because he had a physical deformity, a woman with ME decided to take action.
She knew a thing or two about being misjudged as she had chronic fatigue and had recently been overlooked for a promotion at work because of her medical condition.
And here is the most wondrous part: in this day of internet overload, she went to a library and checked out all eight books... and then read them!!!
Yes, even though she had a smart phone, she chose real books to search out information!
Then she sought out more data, and she talked with history experts.
Finally, when she thought she knew where the king had been buried, five hundred years earlier, she sought out funding and experts to carry out the project.
Quite scientific.
(smile!)
 
"I see why ye were so drawn to it!"
 
Indeed.
I do hope "The Lost King" will be carried over to next week, as I'd like to see it again.
I rather doubt it will be...
especially as the AMC 10 is - get this - permanently closed...
as I sadly found out yesterday when I wanted to see a flick...
so, with AMC down to only 11 screens now, my A*List choices will be slimmer.
I spoke to the regional manager today and she listened to my concerns and suggestions, though I think she was most impressed that I had been the first to return during the pandemic.
Here's hoping our strong presence at this art house feature will bode well!

Monday, March 27, 2023

half my screens are gone...

After getting bills paid and catching up on some mail, I pulled up the website, in search of a bit of afternoon fun on a rainy day.

Sadly, movie listings were not what I saw.

This was.


Since when???

How could it be that none of mi amigas had told me yet???

Damn.

Damnity damn damn.

Now what do I want to do?

I really don't feel like driving in the rain all the way across town to see a movie.

The beauty of the AMC 10 was its proximity to my home.

I could almost always make it to a flick there in plenty of time, usually even counting on missing the previews.

Hey, that was 24 fewer minutes of sitting and waiting for the show, right?

But there was a lot more distance to traverse - and traffic to navigate - going southside.

Damnity damn damn.

Sunday, March 26, 2023

cartoon music and even some brass!

There I was at TUMC again, but this was one of the original five for me.
As I'd said then, I like to have a bit of classical with my SMF.
(smile!)
I knew Philip Dukes would certainly deliver on that score, and he'd have some fine friends along to keep things lively, as became parlor music.
This first concert was called a "Schubertiade", as it featured multiple pieces from that 19th century composer and no one else.
Dukes even had a pre-concert talk with a representative from Georgia Public Radio about the music for today, as well as a goodly bit on his personal instrument, a viola d'amore.
Then, we were off!!!
 
He was joined on stage by Sebastian Knauer (piano), Joseph Conyers (bass), Keith Robinson (cello), and Benny Kim (violin)
The five were exactly what was needed for the "Trout" Quintet, written by a 22-year-old composer in 1819 whilst on holiday with friends.
The fourth movement was actually based on a song that Schubert had written, "Die Forelle", which literally means "The Trout".
No wonder, then, that it was so lively and captured so well the fleet movements of such a fish!
Definitely the work of a young man, full of vim and vigor!
How incredible that he died just a decade later.
As for this collection of five movements, I kept flashing on music from the "Bugs Bunny Cartoon Hour" just the day before - a nice inside joke!!!
Then we broke for intermission and a rearrangement, and addition, of chairs on the stage.
Schubert's one and only Octet required that number of players, with a nice contingent of horns!
Robin Ashwell swapped in for Dukes on viola, with Eric Kim manning the cello this time.
Adam Barnett-Hart and Brendan Speltz took the violin parts; the bass man, Conyers, was the only carryover from the first half of the concert.
Then there's Michael Collins on clarinet, Jonathan Davies on bassoon, and young Tim Jones positioned between them on his solo horn, which looked for all the world like a classy bong.
So, there's the eight players for the six parts of the hour-long Octet!
(smile!)
Yeah, it sounds like there's a joke in there somewhere, doesn't it?
Please feel free to make your own!
(smile!)
What role had I in all this?
Well, I can say this much: it precluded my dancing to any of the music.
I was positioned right up front, stage-side, to monitor the door that led to the bathrooms.
As this venue was a very old church, its heavy doors tended to make quite the racket.
That meant I was the last to move before the music started and the first to move when it stopped, to open that door to let folks through (counting as they went to make sure none were stranded in the loo), and to make sure it was closed when the last listener ambled back in to the synagogue.
Whew!
Still, I'm glad Daniela gave me that post.
What a view I had of the orchestra!
(smile!)

katniss has left the building

It looks pretty bare up there, doesn't it?

I recall getting an email from the Jepson about the mobile being taken down, but it was during the cold weather, so... I missed it.

Which is to say that I miss katniss now.

That isn't to say all change was disappointing.

Far from it!

As the Roswell frogs will attest, big things are on their way!

Rather than have a small area for children to get creative, there will soon be a Children's Museum on the premises.

I'm looking forward to that change!

It isn't as though the place doesn't already celebrate the artistic abilities of the area youth.

See all of those swatches of color, going down the hall and clean on around the corner and the next wall?

Those tiles are all part of the art project the museum has with 2700 - yes, 2,700 - fourth-graders in Chatham County.

Amazing, isn't it?

The art of even more children at various elementary and middle schools was included in the Making Marks exhibit.

Consider the intricacy of the designs here.

These were each done by a different student at Heard Elementary, where some of my nieces and nephews went to school.

The colored rice mosaics reminded me of the mandala created by the Tibetan monks at the Jepson, some few years back.

What other changes did I find?

Well, I very much enjoyed the interactive component of the PULSE exhibit earlier this year.

No, I had missed it, due to weather too cold for my warm heart.

However, "Scenocosme" remained here and allowed me to open a portal to another dimension of light!

That was fun!

Plus... "Swarm" has returned!!!!!

Hooray, hooray, I love this day!!!

It's been one of my all-time favorites since its PULSE appearance in 2012, and I'll have to be sure to visit it again soon.

This time around, it's part of a mash-up of modern art in the exhibit "Anything Goes", as well as one of Rev. Howard Finster's pieces, and others from previous displays.

I look forward to spending a bit more time with all of that on some other Sunday afternoon.

Today, I wanted to catch a new exhibit, "Photography's Last Century", which was also on that third floor space.

The one new piece that really captured me was a huge photograph from Gregory Crewdson.

He liked to pose his art as if it were "a single-frame movie", and I'd say he succeeded with this one.

I'd call it "Panegyric To A Rose Bush", as i have some experience with the loss of a dear bit of flora, but I don't recall seeing his title for it.

I'd lollygagged a bit longer than I'd intended -

"Swarm" has that effect on me -

and my two hours here were drawing to a close.

My shift with SMF would soon begin, and that would be right next door, so time for one last call at the loo!

I'll most certainly return!!!

(smile!)

dancing with richard dreyfuss


I'm so glad that Sandy let me know about the free movies on SHOtime.
This morning, I chose a movie I didn't know about, one from 2018 with the quirky actor I've had a crush on ever since "The Goodbye Girl".
Sure, I know he was in "American Graffiti" four years earlier...
but I was just 15 then and that movie didn't really mean anything to me then.
Timing, folks, it's all about timing, isn't it?
(smile)
Likewise, "Astronaut" might not have meant as much to me five years ago.
Here, Richard Dreyfuss portrayed an 85-year-old retired civil engineer, widowed, and newly diagnosed with atrial fibrillation.
That certainly got my attention.
There was no mention of what medication he was on, but I know he had dizzy spells.
That led to his daughter bringing him to live with her, her husband, and son, and their putting the his old house up for sale.
Serious loss adjustment for him... but he still had his telescope to watch the heavens.
His grandson liked to do that with him.
His grandson knew he'd always wanted to be part of the NASA space program, but had never had the opportunity...
and now there was a lottery to be the lone civilian on a commercial trip to space.
Well, life intruded, as it does, and Grandpa ended up in a nursing home.
His late-night hours had been determined to be too much disruption for the son-in-law.
So, Grandpa had loss adjustment again - and fought back by entering the flight lottery.
Of course, his name was one of the dozen chosen!
After announcing the names on the radio, the deejay played a really cool song and everyone started dancing, including me.
I even reversed three times so I could dance with Dreyfuss more than once!!!
And after the movie, I watched the credits for the song title.
It was the only song listed.
Seriously.
The above song link is for the tune in its entirety, just as it was in the movie.
Seriously.
The entire song had been played, not just part of it.
Once I knew that, I kept rewinding to play and dance along with them!
When I looked for the song on youTube, the first link I found was this one.
A behind the scenes look at the song?
Sounded like my kind of thing!
That's when I found out the man who wrote it, Haydain Neale, died at 39, from complications after his bicycle was hit by a car.
The song had never been put on an album, so his bandmates had put together a finished song using the recorded bits they had of him singing, then the song had become very popular up there in Canada, where the group is based... and where this movie was filmed.
Very nice.
That led me to revisit the movie from Saturday at the JEA.
This year's SJCAF has had more than the usual share of hard movies, and "America" was yet another of that ilk.
Eli, son of an Israeli policeman who lavished physical abuse upon his son and his wife, had fled to the United States as soon as he had the money to do so.
His best friend, Yotam, was still in Israel when Eli came back to settle his father's estate.
Eli wanted to visit the isolated waterfall they'd gone to as kids, so Yotam went, too, but ending up falling and in a coma for more than a year.
Yotam's fiancee, Iris, had just met Eli and now, two days later, the man she was to wed was in a vegetative state and their future was on hold... so, she had disliked him.
Eventually, Iris and Eli had a working friendship, then more than that... and that's about the time that Yotam came out of his coma and started physical therapy for his atrophied muscles, requiring help from her and his parents.
Eli went back to the States, to get out of their way.
More time passes.
Then, one night, as the couple are listening to the TV, a story catches them: Eli has died, rescuing a child that fell into a river.
The next day, Yotam makes a pilgrimage to the waterfall... and that's when I started crying.
All I could think of was Christa and the corn maze she and I went to last fall.
I don't think I could go there again.
I gave Barbara and Sandy hugs in parting, then made it to my car before sobbing.
Perhaps the loss of the squirrel mistress was fresher for me because I'd received last week and unexpected, and very nice, 'thank you' note from her parents for the Arbor Foundation tree I had planted in Christa's memory.
Perhaps the loss of this friend was recently sharpened because I'd stumbled upon this book she made for me back in 2013.
She and I and Lauri were having a conversation about punctuation marks and dingbats and which ones were to be more highly regarded.
You know, one of those late-evening rambling chats promoted by a glass of wine or a margarita.
I had spoken at length of my love of ampersands: not just the look of them, but the writing of them, with their curves and flourishes!
She than surprised me with the book containing 19 photos of the symbol throughout her travels in Savannah, annotated and with a bibliography, too.
I'm fairly certain she gave it to me for Christmas that year, before she headed off to New York to be with family.
(smile)
I'm glad to know the fellows in jacksoul have that song out in the world, in memory of their friend.
I'm glad mi amigas were there at the movie last night.
I'm glad Sandy let me know about the free movies on demand.
Timing.
i thank You, God.

Saturday, March 25, 2023

bird, bird, bird is the word...

Whoever put together the pre-show set-list must have had a blast!
I'm guessing they either googled and found them...
or they're from my generation and know these songs from their youth!
(smile!)
Either way, I thoroughly enjoyed singing along with them and tapping my toes!
And it was not just songs about birds, but also about buses!!!
C'mon, you know at least one of those.
"The wheels on the bus go round and round,
round and round,
round and round,
the wheels on the bus go round and round,
all around the town!"
Bonus points if you did the hand movements, too!
(smile!)
You can see that I was grinning right from the start!
Now, imagine my sheer delight when they brought an actual bus onto the 'stage' area of their black box at Savannah Children's Theatre!
And it moved! And people boarded and got off!
And, much as all protested repeatedly, "Don't Let The Pigeon Drive The Bus!", you knew it would eventually happen!
And the songs in this musical, especially "Panic At The Bus Stop!" had me laughing and clapping!
How good to see JoJo again... and even better for him to seek me out afterward and tell me how much he enjoys seeing me at these plays for children!
Right back at you, dear, right back at you!
I do love these bright spots in my weekends!
Speaking of such, I have a dessert reception in my near future, over at the JEA, with mi amigas.
Hasta luego!

Friday, March 24, 2023

oh my! a classical music encore!!!

"Have you ever heard of such a thing?"
 
I can't say that I have, until this evening. Sure, it's been a while since I would have even been in a space to have that as a possibility. не так ли? Even so, it was quite a nice gift to us.

"And just who was us and where were you?"

Oh, I was at an SMF concert that I only signed up for yesterday. This was for another pianist, this time solo, and the blond young man was probably the same age that Christian Sands was when I saw and heard him for the first time. Maybe that was 2014?

"But who was the pianist? And where was the concert?"

This was at the Trinity UMC, over by the Jepson. It was so wonderful to see Daniela again!!! She was the house manager. See her walking up the aisle with one of the other SMF staffers? Believe me, she was thrilled and relieved to see me and Inessa there, as none of the other volunteers had ever worked that venue before. She put me in charge upstairs and 'Nessa downstairs. I had Lisa, who was a bit chatty, as well as six or seven student volunteers. For the most part, I just made sure they knew that voices carry, as does all sound in that church, so to walk softly.
 
"Sigh."
 
Why did you say... oh, my bad. You'd asked who the pianist was. I guess I thought you might have clicked the link by now.

"Sigh..."

The 22-year-old Russian from Moscow was Alexander Malofeev. I very much enjoyed watching him play, especially as he tended to telegraph when he was nearing the end of the very long pieces in tonight's performance. There were only four total, with an intermission to break up the set and allow us - and him - a chance to get up and stretch. The first two were both from Ludwig van Beethoven, known as "Moonlight Sonata" - which the composer named "Quasi una fantasia" and had dedicated to his student almost two centuries ago - and Piano Sonata No. 17 - which the composer did not subtitle, but others refer to as "Tempest". Both were composed the same year, when he was in his early thirties, before he started losing his hearing. I know I tend to think he wrote everything when deaf, but that's incorrect.

"That's cool to know. I don't recall anyone ever speaking of him having different periods of composing, ranging from hearing to partially deaf to totally deaf."

Heard... yes, pun intended.
(smile!)

"And whose music did he play after the intermission?"

That of two Russians, one of which he's been a fan of since he first began playing piano at the age of 7. I cannot imagine Leila or Alyssa taking an interest in piano, nor Miyah, and they're to either side of that age. 

"Sigh..."

Yeah, yeah, you stop that. As I was saying, Malofeev chose music of his countrymen. The first was someone I'd never heard of: Mieczyslaw Weinberg. I doubt I'd ever recognize the piece if I were to hear it again. On the other hand, Sergei Rachmaninov is certainly familiar to me, though I daresay not so much as he is to the this young man who has been a fan of his works for the majority - fifteen years - of his life. The Piano Sonata No. 2 has had bits of it used in movie soundtracks and in songs I know, so that added to my enjoyment of it. 
What a lovely way to end the performance, I'd thought.
But, no!
After making several returns to the stage for applause, the young man in black sat again at the keyboard of the good-footed piano and played a piece very familiar to me - I even left the venue whistling the tune! - but I cannot recall its title!

"Wow!"

Indeed! If I come upon the piece elsewhere, I'll let you know. I can say this: it's a tune that's been used in cartoon soundtracks! For real!
What a lovely evening... and so lovely warm! Low 80's today!
I hope it'll stay.
I'll sign up for some other concerts if it does!
(smile!)

Thursday, March 23, 2023

back in the (smf) saddle again!!!

Woohoo!!!
Feels like for-ev-er since I was a volunteer usher...
and I am so very grateful to be back to that life!
Especially as the Savannah Music Festival had its first day today...
my first day back to all this, too!
Woohoo!!!
I had been a bit concerned about working this particular venue, but, once I found out how to gain entry and where to park, I think I like it.
The above was taken from the ADA gate, where my duties were, shared by Jennifer.
Off to the left is the stage for the outdoor shows, come rain or come shine, for the folks sitting on the green lawn or the Trustees Garden.

Straight down the sidewalk lies the venue I was working for the first time.
Looking like a giant warehouse from the outside...
because that's what it is...
so, not much to look at, from that vantage point...
it hides quite a nice interior!
It's partitioned into two sections, with the leftmost being the lounge for the VIP folks.
Then there's the performance space!
It's easily four times longer than it is wide, taking advantage of the hill's slope to have a sunken amphitheater vibe.
The space is divided into three areas: a central area with chairs, focused on the stage; plus areas with regular and high-top tables off to each side, with a large viewing screen and plenty of floor space for dancing.
Yes, that's what I said: dancing!!!
Obviously, I chose to sit off to this side for that activity.
(smile!)
Christian Sands had returned to Savannah for another SMF, this time as part of the High Wire Trio, with them having a trio of performances at this space today.
No, no acrobatics were involved; the name refers to a song title.
Yes, I said three performances by this jazz group today... and the pianist had family from Augusta at each one!!!
He was joined by Matthew Rybicki on bass and Ulysses Owens, Jr., on drums, with their entire set dedicated to the music, and memory, of Erroll Garner.
Naturally.
Christian Sands is the Creative Ambassador for the Erroll Garner Jazz Project -
very good for such a young (he'll be 34 on May 22nd)!
They started with a trio of songs  - "Chase Me", "High Wire", and "Dream Street" - and just how did I remember that?
I made a little sentence: chase me on the high wire above dream street!
(smile!)
That just means I need to make sure to have a pen with me next time.
After that set-up, to show us what they all had, they launched into the homage, with recorded passages from three of Garner's fellow musicians, with each accompanied by one of his songs - "Erroll's Theme", then "My Funny Valentine", followed by "Wild Song".
I was entranced by that middle song!
I've never been a fan of it, as it's generally played so slowly, like a dirge...
but not this time!
With a staccato beat and energetic bed, it really stole the show!
Wow!!!
As I told his cousin and grandma afterward, his version converted me to a fan of that piece!
(smile!)
To finish out the show, they gave us Garner's jazz standard, "Misty", a song that is four years older than I am... how about that!
Of course, I  never hear the tune without recalling the Clint Eastwood movie which featured him as a radio deejay with an obsessed female fan.
I wonder how many others also think of that 1971 use of the song?
(smile!)
Now, let me see if there are some other SMF events I want to go to...
I mean, volunteer for?
(smile!)

Wednesday, March 22, 2023

once, once more, with feeling

As I watched the musical tonight, on Comet TV, I compared it to the play on Sunday.
Held at the Trustees Theatre, that had been the first production of the year by the Savannah Repertory Theatre.
I had been a bit shocked at the cost - thirty-five bucks for a discounted senior ticket! - but I understood that they had chosen to hold it in a venue with 1200-plus seats.
I think they were hoping that a lot of tourists would choose to come as part of their Saint Patrick's Day celebrations.
I hope that worked out for them.
I, like a lot of Savannahians, waited until Sunday, when the partying crowd would have left and the parking would be free.
Ray Ellis and Randy Cannady and Beth Balance, fellow Asburians, were there.
So were Thomas and Danielle Houston, more of the thespians in town, as well as Travis Spangenburger and Erin Muller and Monica McDermott.
The fellow actors always do try to come out and support the other troupes, as long as they aren't already in a competing production that day.
For competing they certainly are, competing for those entertainment budget dollars, thinking that maybe folks had held onto them during the pandemic...
but knowing those monies had gone to streaming services, the same online platforms that they themselves had subscribed to for films and staged shows.
 
I was one of the last ones through the door.
That's because I knew the venue well and wanted to let all the strangers find their seats and get settled for this general admittance show.
Sure enough, I easily found a safe space up front, donning my mask just in case.
There were about five hundred people there.
I was in the 8th row, I think, last seat by the wall, with a clear view of the stage.
At first, I thought they'd started early...
but, no, they were jamming, giving an impromptu concert as folks came in.
They could have been an Irish band with the Savannah Music Festival, which began this week.
Very nice!
Then, "Once" began, with 'Guy' playing a melancholy tune on a guitar about the one that got away, hoping for money from passersby.
He gets more advice to add some words from 'Girl', a woman whose favorite line is "I'm always serious, I'm Czech."
(smile!)
I do believe that's my favorite part of the play.
Anyway, she and her family (mother, daughter, possible siblings) have come to Dublin hoping for a better life.
Her dream is to win the lottery so she can buy the piano in the bar she works at.
Meanwhile, her Hoover no longer sucks; but she's in luck, as 'Guy' is a vacuum cleaner fixer.
What a great coincidence!
(smile!)
The play had been billed as a musical...
and I would have liked to say it was one, as that seems to be the consensus...
however, a musical is not what it was.
As I told Beth at the WNS tonight, when she came over to our table specifically to ask what I thought about it, I replied that it was a concert play, but not a musical.
The people in it were performing songs they were recording for an album, not just bursting out in song and dance.
Any dances were in a bar setting to the music being played, not spontaneous actions in response to emotions.
She agreed, adding that she had not really cared for it.
I have to wonder if she might have liked it better if the songs had been presented in the same order as they had been in the film that inspired the play.
Perhaps she didn't like the Irish music?
I don't know, as she left the table soon after her query of me.
I do know this: I have no plans to see SavRepTh's version of "The 39 Steps", as I know from the Armstrong Masquers' production that the play has pretty much nothing in common with the Hitchcock film, being rather a send-up of it.
I'll funnel that money toward the end of month play from SavChTh.
That works!
(smile!)

Okay, the mercials have run their course.
Back I go to land of vampires and demons, "Once More, With Feeling"...
and quite gladly!!!
That is a true musical, with folks randomly breaking out in song and dance!!!
I do believe I still have a little crush on Spike...
I mean, James Marsters...
well, as long as he dresses like that rambunctious fellow!
Hey, did I ever tell you about the time I danced with him at Dragon*Con in 2008?
Remind me and I'll tell you about it sometime.
I still have the photo of me with him on the fridge.
Good times!
(smile!)

heart and eyes good to go!

On the 10th, a day with heavy rain, I managed to have my appointment with Dr. Cobb in between showers... hooray!

And just how was my heart behaving on that morning?

Absolutely perfectly, with not even a smidgen of A-fib!

That's because the high was in the 70's - hallelujah!!!

I won't be seeing him again until September!

Today, my eyes had a date with Dr. Irving at Savannah VA.

Just how did that fare?

Just perfectly!

Not only has my sight not changed, but it's actually better!!!

Instead of 20/20 in my "good" eye, I have 20/15 now -

that was a surprise to the doc, too!

So, instead of needing a stronger prescription for my next set of glasses, that Rx will remain the same - hooray!

My new glasses - with cat's-eye lens!!! - will arrive next month they say.

Woohoo!!!

My eyes will be sporting a new look for my bday65!

(smile!)

Now, off to the Post Office to mail off the thirteen pages of VA Healthcare Eligibility paperwork - for 2021, by the way, received the first week of February this year - that has taken at least eight hours, and much mental chagrin and anguish, to compile. And what was the reason for all that? I had to cash in two small IRAs that year to make up for the financial losses from Ronnie's cremation and from the DEA scam. That simple act of trying to stay afloat sent me over their financial threshold and triggered the bean counters to sic their dogs onto me. Ack. I'll make sure to not ever do that again.

Then, off to the laundry, at last, before my panties drawer runs out.

Whew!

What a release to have these appointments, and that report, behind me!

Tuesday, March 21, 2023

poland, italy, poland

Those countries that provided the cinematic backdrops for the last three films I've born witness to over at the JEA.
Barbara joined me for two of them, and Sandy came for the one on Saturday.
I'm fairly sure that's because that one had a dessert reception.
(smile!)
It also happened to be the most cheerful of the three.
Titled "Where Life Begins", it featured a citron farm in southern Italy, with much of the film in French, and had a quote from a book by Albert Camus that resonated with me perhaps as much as it had with the farmer.
But first, what made this citron farm so central to the movie?
It kept a patch of citron trees specifically for its Jewish customers, trees that had not been grafted onto other trunks for better yield and health, trees whose Kosher fruit was necessary for the 7-day celebration of Sukkot, all in accordance with the father's custom.
So, the fall season had come and the French sect had traveled to harvest by hand the fruit they would use in their religious ceremony.
The farmer, who had taken over the business after his dad died, allowed the group to stay on his land.
He struck up a friendship with the 26-year-old, unmarried daughter of the group's religious leader, a young woman under pressure to wed a young man in the group and follow in the ways of their culture... but she did not want that life, nor did she want to distress her folks.
She had found an anonymous online forum to vent her frustrations, and the farmer had noticed after she had borrowed use of his computer.
He knew about that rock and hard place, himself; his wife and children had remained in Rome when he took over the farm, in abeyance to his father's wishes.
Life was difficult, but he found solace at a secluded spot in the citron orchard, at a high point overlooking the Mediterranean sea, a spot his dad had called the Garden of Eden.
Very nice inside joke from the writer, non è questo?
And just what was the quote from the philosopher?
"Sometimes different is simply having the courage to be yourself."
Of course that would speak to my heart!
It spoke to hers, too... and eventually to his, as the film's end found him again in the little garden clearing overlooking the sea.
(smile!)
So, that was Saturday.
Thursday held a matinee screening of "The Barn", a film from 2017.
So, here's the history of how that film came to be.
As a 14-year-old, Rachel Kastner's class had gone to Poland, as part of their studies of the Holocaust... and she met Paulina, the woman who had helped hide Rachel's grandfather from the Nazis when he was just a young boy.
Captivated by the encounter, Rachel had returned home, determined to bring her Grandpa, Karl Shapiro, back to the area with her, to meet the very old Paulina.
Her grandfather finally relented and joined her when he saw that she was determined to go, either with or without him.
The film is a documentary of their travels, with Rachel insistent on finding the barn under which the Jewish families had been hidden until freed when the Russians took over.
I very much liked Shapiro.
He knew that his granddaughter thought he needed closure, so he had gone with her, knowing full well it was she who needed to put his past to rest.
I look forward to seeing it when it's screened again, next month, to coincide with her visit to the JEA... and her luncheon with President Biden later that week!
Pretty exciting!
(smile!)
Then, tonight, was a piece of history that no one in the audience seemed to have known: a student rebellion in Poland, over a censored play, that led to the eviction of all the Jews in that country.
And just how far back in time was that?
Back in the 1930's or 1940's?
Nope. 
It was early March of 1968, hence the movie's title: "March '68".
Yes, 1968.
The film is full of American music from that time, something that really surprised me - songs such as "Route 66".
No one seemed to have an answer as to why that was in the soundtrack.
Perhaps that was to reflect the unrest in Europe through the lens of that in the USA?
Perhaps.
I can only say that I, as well as everyone else there, had come for the love story between a Protestant boy and a half-Jewish girl, as promised in the film synopsis.
Sure, we did get that... but it was wrapped inside a story of generational bias and government shenanigans on behalf of ethnically biased leaders.
Definitely not what Barbara or I had expected.
All in all, this trio has been rather sobering and a bit sad.
Here's hoping the final two films of the SJCAF will put a happy cap on the festival.
 
As for me, I get that right now, thanks to Comet TV and the Universe.
One of my absolute favorite episodes of "The X-Files" has just started.
Yes, that would be "The Unnatural", granting me baseball and humor!
i thank You, God.
And here's something I had not realized before: David Duchovny wrote and directed it - how cool is that?
It makes me wonder... does that animatronic coin bank, with the baseball player who tips his hat as he takes in the deposited dime, belong to the actor/writer/director?
My money (all puns intended) says it does.
Now, back to the story of the alien who just wanted to be a man...